Wednesday, May 15, 2013
I wanted to love Erin E. Moulton's Flutter. I really, really did, in part because the cover was lovely. I also have an incredible soft spot for stories about families who protect and care for each other. The prose is very beautiful, and the Vermont landscape is lovingly described. However... there were a couple of things about this story that drove me completely mad by the end.
1) Everything that could possibly go wrong, does. I do mean everything. Every time the sisters take initiative and come up with an idea, it fails catastrophically within pages. To the point that I started to wonder if the moral of the story is, "Don't ever take initiative! YOU WILL DIE!" Every idea these two little girls have just leads to more pain and struggle. It was depressing and eventually felt annoying and a bit contrived.
2) This section is spoilery. Highlight to reveal: The girls' great journey, the one that causes so much pain and hardship, that ends with them badly injured and one of them almost dying? It is for NOTHING. Absolutely pointless. The journey, quest if you will, that takes up almost the entire book... It avails them nothing. At the end, they're right where they started, just injured and traumatized. There's a pretty sentiment tacked on about how "love is the greatest magic," but for me it wasn't enough to make up for the pointlessness of most of the book.
In conclusion: The author definitely has potential, but this one was a disappointment.
Tuesday, May 7, 2013
I've long been a fan of Sarah Beth Durst. Her stories cover a wide variety of genres, and are always worth reading. Vessel was quite unlike anything else I'd ever encountered, and while it isn't my favorite of Durst's, it's still interesting.
My favorite character in Vessel was the desert. It is beautifully described, and despite the difficulty of living in such a harsh place, I came to understand the fierce love which main character Liyana and the other desert people had for their home. I also loved the mythical creatures inhabiting the desert, particularly the sand wolves and sky serpents.
The human and deity characters were more or less interesting as well, though they will not be counted among my all-time favorites. Liyana is mostly practical and competent, with moments of passion and emotion. I am a practical person, and female characters whose main characteristic is "practicality" are few and far between in fiction, so I enjoyed seeing the world of Vessel through her eyes.
My main problem with this story--the thing that kept me from giving it 5 stars--was the pacing and plot development. I felt that the pacing was uneven; so much of the story was spent just traveling from tribe to tribe, without a clear endgame. I kept waiting for the "real plot" to start, and then realized I was more than halfway through the book. The ending seemed abrupt and too easily resolved, and not all my questions were answered. (Highlight to reveal spoiler) So what happens with the drought now? You know, the big problem that was killing the desert people AND the people of the Empire?
The Empire was underdeveloped as well. I came away from the book with only a vague, amorphous idea of what it was even supposed to be. (A big empire that's suffering from drought, basically. Very little idea about its people or culture or customs. I would have loved to see that better developed, and by extension, the character of the Emperor. He is a very major character by the end, but I still felt that I barely knew him at all.)
Bottom line for me: This book was worth reading. It had some interesting characters, among which the desert itself was the most fascinating. The quandary about the vessels, and the deities that "killed" them to inhabit their bodies, provoked thought about the nature of sacrifice. The pacing was uneven and the plot seemed a bit muddled and meandering, but I would still recommend giving this one a chance.